This story in The Washington Post is about an accomplished man who "served 10 presidents, but died alone in squalor."
I'm calling it to your attention for a couple of reasons.
One, it's an uncomplicated, straightforward story, but the writer chose the ending perfectly, and in so doing really elevated the piece, I think. The story details efforts to get this man help and how agencies declined, claiming they couldn't force help on someone ... and then shows how persistent an agency can get when it is owed money.
Two, journalists regularly deal with head-scratching responses from public officials. In this story, you have at least two agencies refusing to release information about a dead man. Privacy reasons, they say.
Dedicated to creative thinking, deep reporting, great writing and asking: What happened next?
Showing posts with label endings. Show all posts
Showing posts with label endings. Show all posts
Monday, August 15, 2011
Wednesday, April 20, 2011
Knowing the way to the end
Freaking cool story by Ben Montgomery of the St. Petersburg Times on a diver who went missing in a deep and dangerous cave, the people who looked for him, and what happened ... and what didn't happen.
The ending knocked my socks off, and it made me think of two things:
One, he didn't suddenly discover that ending as he wrote the last few grafs of the story.
Two, he didn't just tack on the ending when he felt like he was about near the end of the story.
I'm betting he knew where he was going from the start, and wrote with that destination in mind the whole way. And that's why it's such a great ending -- it's a nifty line or three, to be sure, but its power derives from everything that comes before it, everything that he reported, how he prepared/organized the story, and every choice he made as he wrote it.
Thoughts?
The ending knocked my socks off, and it made me think of two things:
One, he didn't suddenly discover that ending as he wrote the last few grafs of the story.
Two, he didn't just tack on the ending when he felt like he was about near the end of the story.
I'm betting he knew where he was going from the start, and wrote with that destination in mind the whole way. And that's why it's such a great ending -- it's a nifty line or three, to be sure, but its power derives from everything that comes before it, everything that he reported, how he prepared/organized the story, and every choice he made as he wrote it.
Thoughts?
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